LITERATURE PROJECT MATERIALS

LITERATURE PROJECT MATERIALS

  1. REVIEW OF YEJIDE KILANKO ‘S DEBUT NOVEL, “DAUGHTERS WHO WALK THIS PATH”.

 

 

 

  1. COSTUME AND MAKE-UP AS VARIABLETTOOLS FOR CULTURAL PROMOTION AND TOURISM: A STUDY OF NIGERIAN HOME VIDEOS

 

 

 

  1. THE ROLE OF AFRICA INDEPENDENT TELEVISION IN PROMOTING POPULAR CULTURE AMONG YOUTHS IN KADUNA METROPOLIS

 

 

 

  1. A FEMINIST READING OF MOBOLAJI ADENUBI’S EMPTY ARMS AND HILARY ROUSE-AMADI’S AMINA

 

 

 

  1. A METAPHYSICAL ANALYSIS OF AMOS TUTUOLA’S THE PALMWINE DRINKARD AND D.O. FAGUNWA’S THE FOREST OF GOD

 

 

 

  1. A PRAGMATIC ANALYSIS OF CHRISTAIN HAND BILLS AND POSTERS

 

 

 

  1. A STYLISTIC ANALYSIS OF AKACHI ADIMORA-EZEIGBO’S TRAFFICKED

 

 

 

  1. A STYLISTIC ANALYSIS OF SELECTED NIYI OSUNDARE’S SOCIO-POLITICAL POETRY

 

 

 

  1. A STYLISTIC ANALYSIS OF SOME SELECTED POEMS OF WOLE SOYINKA

 

 

 

 

  1. A STYLISTIC ANALYSIS OF SPORTS COLUMNS IN SOME SELECTED NIGERIAN NEWSPAPERS

 

 

 

  1. AESTHETIC OF AFRICANISM IN CAMARA LAYE’S THE AFRICAN CHILD AND THE RADIANCE OF THE KING

 

 

 

  1. AFRICANISM: THEME, AND TECHNIQUE IN AMOS TUTUOLA’S THE PALMWINE DRINKARD

 

 

 

  1. CHARACTERIZATION AND SYMBOLISM IN OLU OBAFEMI’S WHEELS AND NGUGI WA THIONGO’S A GRAIN OF WHEAT

 

 

 

  1. CLASS STRATIFICATION, POVERTY AND SOCIAL INJUSTICE: A CRITICAL ANALYSIS OF FESTUS IYAYI’S VIOLENCE AND OLU OBAFEMI WHEELS.

 

 

 

  1. CLASS STRUGGLE A CASE STUDY OF FESTUS IYAYI’S VIOLENCE AND ANIMATA SOW FALL’S THE BEGGARS’ STRIKE

 

 

 

  1. CODE MIXING AS A SOCIOLINGUISTIC MEDIUM IN SOME SELECTED SONGS IN THE NIGERIAN MUSIC INDUSTRY

 

 

 

  1. COMPARATIVE ANALYSIS OF EMECHETA’S SECONDCLASS CITIZEN AND NWAPA’S EFURU

 

 

 

  1. CONFLICT BETWEEN TRADITIONAL AND WESTERN CULTURE: A CASE STUDY OF SOYINKA’S DEATH AND THE KING’S HORSEMAN AND THE LION AND THE JEWEL

 

 

 

  1. CRITICAL DISOURSE ANALYSIS OF OLA ROTIMI”S OUR HUSBAND HAS GONE MAD AGAIN

 

 

 

 

  1. CULTURE AND DISCRIMINATION AGAINST WOMEN IN BUCHI EMECHETA’S THE JOYS OF MOTHERHOOD AND CHIMAMANDA ADICHIE’S PURPLE HIBISCUS

 

 

 

  1. EMERGENT TRADITION AND THE AFRICAN POETRY, A CASE STUDY OF TANURE OJAIDE’S THE “FATE OF VULTURES” AND “ENDLESS SONG”

 

 

 

  1. FACTS AND FICTION IN AKACHI ADIMORA – EZEIGBO’S CHLDREN OF THE EAGLE AND THE LAST OF THE STRONG ONES

 

 

 

  1. FEMINIST AESTHETICS IN OLA ROTIMI’S OUR HUSBAND HAS GONE MAD AGAIN AND FEMI OSOFISAN’S MOROUNTODUN

 

 

 

  1. FOLKLORE AND THE QUEST FOR RE-INVENTION A STUDY OF WOLE SOYINKA’S DEATH AND THE KING’S HORSEMAN AND HOPE EGHAGHA’S DEATH NOT A REDEEMER

 

 

 

  1. GENDER ISSUES IN AKACHI ADIMORA EZEIGBO’S TRAFFICKED AND ZAYNAB ALKALI’S THE VIRTUOUS WOMAN

 

 

 

  1. IMAGES OF SOCIAL VICES IN CONTEMPORARY NIGERIAN POETRY : A STUDY OF DENJA ABDULLAHI’S MAIROGO AND JIDE BALOGUN’S THE DESERT IN THE RIVER

 

 

 

  1. MAGIC POETRY: A STUDY OF ARUGBA INVOCATION IN OSUN OSOGBO FESTIVAL

 

 

 

  1. MOTHER TONGUE INTERFERENCE IN ENGLISH NEWS CAST: A CASE OF A KWARA TELEVISION NEWS

 

 

  1. ORATURE IN MODERN AFRICAN LITERATURE USING: WOLE SOYINKA’S THE BEATIFICATION OF AREA BOY

 

 

 

 

  1. PRAGMATIC FEATURES OF NIGERIAN ENGLISH: A CASE STUDY OF SELECTED POEMS OF BAYO ADEBOWALE

 

 

 

 

  1. RACISM AND AESTHETICS IN ALEX LA GUMA’S A WALK IN THE NIGHT AND PETER ABRAHAMS’ MINE BOY

 

 

 

  1. RELIGION AND MORALITY IN JOHN UPDIKE’S ‘A&P’ AND SALMAN RUSHDIE’S ‘THE PROPHET’S HAIR’.

 

 

 

 

  1. SATIRE AND SOCIAL MEDIATION IN WOLE SOYINKA’S: A CASE STUDY OF THE TRIALS OF BROTHER JERO AND A PLAY OF GIANTS

 

 

 

 

  1. SATIRE IN CONTEMPORARY NIGERIAN POETRY: A STUDY OF TAYO OLAFIOYE’S A CARNIVAL OF LOOTERS AND MUSA I. OKPANACHI’S THE EATERS OF THE LIVING

 

 

 

  1. SOCIAL RELEVANCE OF NIYI OSUNDARE’S THE EYE OF THE EARTH

 

 

 

  1. SOCIO-POLITICAL MOTIFS IN NIYI OSUNDARE’S THE EYE OF THE EARTH AND VILLAGE VOICES

 

 

 

  1. SYNTACTIC AND LEXICO-SEMANTIC ANALYSES OF SELECTED SMS TEXT MESSAGES AMONG THE UNIVERSITY OF ILORIN STUDENTS

 

 

 

  1. THE MYTHOLOGICAL ICONS IN AMOS TUTUOLA THE PALM-WINE DRINKARD

 

 

  1. THE IMPACT OF YORUBA LANGUAGE ON THE SPOKEN ENGLISH OF STUDENTS (INDIGENES) OF ILORIN (TOWNSHIP)

 

 

 

 

  1. PRAGMATIC FEATURES OF NIGERIAN ENGLISH: A CASE STUDY OF SELECTED POEMS OF BAYO ADEBOWALE

 

 

 

 

  1. RACISM AND AESTHETICS IN ALEX LA GUMA’S A WALK IN THE NIGHT AND PETER ABRAHAMS’ MINE BOY

 

 

 

  1. RELIGION AND MORALITY IN JOHN UPDIKE’S ‘A&P’ AND SALMAN RUSHDIE’S ‘THE PROPHET’S HAIR’.

 

 

 

  1. SATIRE AND SOCIAL MEDIATION IN WOLE SOYINKA’S: A CASE STUDY OF THE TRIALS OF BROTHER JERO AND A PLAY OF GIANTS

 

 

 

  1. SATIRE IN CONTEMPORARY NIGERIAN POETRY: A STUDY OF TAYO OLAFIOYE’S A CARNIVAL OF LOOTERS AND MUSA I. OKPANACHI’S THE EATERS OF THE LIVING

 

 

 

  1. SOCIAL RELEVANCE OF NIYI OSUNDARE’S THE EYE OF THE EARTH

 

 

 

  1. SOCIO-POLITICAL MOTIFS IN NIYI OSUNDARE’S THE EYE OF THE EARTH AND VILLAGE VOICES

 

 

 

  1. SYNTACTIC AND LEXICO-SEMANTIC ANALYSES OF SELECTED SMS TEXT MESSAGES AMONG THE UNIVERSITY OF ILORIN STUDENTS

 

 

 

  1. THE MYTHOLOGICAL ICONS IN AMOS TUTUOLA THE PALM-WINE DRINKARD

 

 

 

  1. THE IMPACT OF YORUBA LANGUAGE ON THE SPOKEN ENGLISH OF STUDENTS (INDIGENES) OF ILORIN (TOWNSHIP)

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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